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This means that a stringed instrument with stiff wires under high
tension
has a harmonic series
that is not perfect multiples of the fundamental. The harmonic series
goes sharp.
Not all instruments are like this (or at least not so severely so), and
I do not think this is justification to redefine an octave.
I'll stick
with the definition of an octave as a factor of two in frequency.
Returning to the original statements that initiated this thread. I
would not say that pitch *is* frequency.
I would say pitch is *related to* frequency.
So I don't view the pitch statement on the poster as
too much of a travesty.
But the amplitude statement is pretty bad.